Feeling Neutral(s)

Feeling Neutral(s)

I love color, so it’s kind of weird for me to work in neutrals, but it really does make you work a little harder atcomposition. These two pieces go way back to my first collage class, probably more than 10 years ago. I had been quilting for quite a while, doing all of my stitching by hand because I spent days at the computer and didn’t want to spend nights and weekends on another machine. I was thinking maybe collage would let me complete more pieces more quickly. In one of the greatest happy accidents of my life, I signed up for a collage class with Chery Baird at the Spruill art center in Dunnwoody Georgia near where I was living in Atlanta at the time.  Unlike so many of those short adult education classes, Chery was and still is determined to give us the opportunity to get a high-level arts education if we were willing to stick with her one eight week session at a time. It was the beginning of a multi year journey through collage, composition, and color theory classes along with any number of workshops. She had a very specific curriculum laid out, and this exercise in using neutrals was near the very beginning. My heart will be forever grateful, and my closets will be forever overwhelmed because now I see the world the way she sees it, meaning there’s almost nothing you come across that you can’t imagine using in a collage in some way.
Playing with paper pals

Playing with paper pals

I’ve posted about this group before, the paper pals collage club hosted by Lucie Duclos and the Winslow Art CenterIt’s one of those things that turned out to be a blessing during Covid, because I don’t think I ever would’ve had access to this group before we all needed to figure out how to come together online. The art center is located in the state of Washington, and I am in Illinois, and the group seems to have people from all around the world.The first three months were an experiment with new projects every week and a monthly meeting, and now it’s converted to a monthly subscription.  The exercises are a great mix in flexing my composition muscles, and there are always new techniques to learn or at least be reminded of. I am in! Just hope I can keep up.

Mail Art Wallet

Mail Art Wallet

One of the perks of being in Ali Manning’s Handmade Book Club are occasional workshops with teachers she brings in. One recent Sunday, Bel Mills of Scrap Paper Circus led a workshop using business reply envelopes to make this mail art wallet.  Lots of ways you could take the collage design with this, and lots of possible uses to keep bits and pieces organized. It also gave me an excuse to buy and try a Crop-a-Dial for the little rivet closure.  And then there was the new experience with clear gesso. So yes, it’s intended to be a project focused on up cycling, but no stash busting project feels complete without a new purchase or two!  I love a workshop where you can actually complete the whole project by the time the session is over.  Take a look at the video to see how this one works by clicking on the photo below.

Paper Pal Collage Club

Paper Pal Collage Club

Yes, I’ve joined another group.  The Winslow Art Center in Bainbridge Island Washington, like many other schools, offered online classes for the first time this year, and I joined a three month prototype with Lucie Duclos called Paper Pals Collage Club.  I’d known of Lucie after seeing her featured in Uppercase Magazine (highly recommended) and then on Instagram. I’ve mentioned the Handmade Book Club before (Ali Manning’s creation), and now Lucie is trying out something similar for collage crazy people – weekly exercises/prompts, monthly live on-line sessions to learn new techniques and share, and a private community.  This one isn’t on Facebook, which is my preference.

Lucie has been giving prompts every week, and so far they have focused on composition issues – kind of familiar to be from composition classes I took when I lived in Atlanta with Chery Baird at Spruill Arts Center – I’ll no doubt talk about Chery more, because her classes had a tremendous impact on me.

Anyway, The group was originally set to run for three weeks, but I think the plan is to continue, we’ll see. I do know that Winslow has announced that they will continue online offerings, and I hope that many other teachers and schools decide to do the same.

 

Upcycle and Transform

Upcycle and Transform

This is a project that has gotten totally out of control.  It’s what happens with a big stack of holiday card boxes and leftover notecards added to a huge stash of found and manipulated papers.  Over the years I’ve made a habit of sending as many as 450 holiday cards a year to business contacts, and my favorites came in nice chipboard boxes with magnetic closures (Peter Pauper Press), so of course you can’t throw them away even if they were a great buy.  On the other hand, I don’t need a big stack of boxes with pine trees and doves and that kind of thing.  So, I learned how to deconstruct them, how to do corners the right way, and got to work.  (Thanks to Nicolette Ross of Ross Press and BIndery for my first boxmaking lessons).

That’s how the first stack came about, and they seemed so empty.  So, I remembered I also had a stack of notecards left over from workshops I used to do.  Problem is that they already had line designs outlined on the front flaps (has to do with a workshop exercise, story for another day).  So, collage stash to the rescue.

I didn’t really have a solid plan in advance for what to do with them, but some are in my Etsy store right now, and I still have plenty of raw material to work with, so I think I will be at this for a while.